Zory McGrath - Napier Hotel Fitzroy

Urban Essence, Local Heart: Zory McGrath’s Fitzroy in Focus

Fitzroy pub façades, old Victorian windows and stories embedded in architecture, these are just some of the fragments that Melbourne artist Zory McGrath brings to life in her layered, expressive work. Her latest exhibition, Fragments of Urban Essence, runs from 8 to 25 May at Brunswick Street Gallery, with opening night celebrations on Friday, 9 May from 6 to 8 PM. Using recycled cardboard and textured surfaces, the series explores urban renewal, memory and the beauty found in overlooked corners of the built environment. Zory’s separate series on Fitzroy’s pubs, a tribute to the character and charm of these beloved spaces, is also available through the BSG store. She’ll be exhibiting alongside a diverse group of artists across the gallery’s May program.
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Can you share a little about your artistic background and how your creative journey began?

My artistic journey began in childhood, fuelled by a love for drawing and painting. I explored various mediums throughout school, which led me to pursue formal art education.

I’ve experimented with different styles and techniques throughout my creative career, and I continuously seek inspiration from the world around me.

Each experience has shaped my unique perspective and passion for what I express in my work today.

What is it about Fitzroy’s pubs that made you want to explore them through your art, and what do you think gives them such lasting character?

I’ve always been drawn to the lively atmosphere of Fitzroy’s pubs and cafes, where each one tells its own unique story. Their eclectic architecture and unique charm reflect the area’s cultural richness and makes them truly captivating to portray. 

Do you have a favourite pub to settle into when you’re in the neighbourhood? Is there a go-to pub meal or dish that always hits the spot?

I can’t really point out a favourite pub! I enjoy the pub atmosphere throughout the neighbourhood and love trying new dishes wherever I go, whether it’s a steak sandwich or a tasty chicken parma. 

A nice chicken parma with crunchy chips has to be my favourite, but most of the pubs in the area serve great food, so I definitely can’t pick one spot for this!  

What draws you to Fitzroy as a subject or setting? Do you have any personal ties to the area?

I’ve been an exhibiting artist in a couple of local galleries for several years, which has allowed me to explore and connect with Fitzroy deeply. The vibrant culture and artistic community here continually inspire my work and draw me to the area.

Could you share a bit about Fragments of Urban Essence, in particular the themes and ideas you’re exploring in the show?

In my latest exhibition, Fragments of Urban Essence, I explore the theme of sustainability and renewal by using recycled cardboard pieces to convey fragments from old buildings. 

This body of work reflects on the beauty of urban landscapes, highlighting the stories embedded in these structures and celebrating the potential for transformation through art.
The exhibition opening night is on 9 May in Brunswick Street Gallery, and it’ll be on until 25 May. Everyone’s welcome to come and explore this unique collection of paintings. 

Is there a particular piece in the exhibition that feels especially personal, or one that really captures the essence of the collection?

I don’t have one favourite artwork, however, I do have a favourite element within the collection. These are the old Victorian windows featured on most of the facades, as they evoke a sense of nostalgia and connection to the past. 

I feel they truly capture the essence of the collection by highlighting the unique character and stories embedded in our urban landscapes.

Are there any artists, places or creative rituals that shape the way you work?

Certainly! My work is influenced by artists like Lowry, Clarice Beckett, John Brack, Berryl Cooks, Roger Kemp, and many other amazing creators who inspire me with their unique approaches.

I also find inspiration in vibrant urban spaces, where I observe the interactions between people and their environments.

Additionally, my daily sketching ritual helps me capture ideas and emotions that inform my artistic vision.

What does a typical day look like for you as an artist, or is there no such thing?

A typical day often blends studio time, an early coffee and a stroll around the streets for inspiration. Most of my days are unique and shaped by my creative process. 

Where do you like to spend time around Fitzroy when you’re not in the studio? Do you have any favourite cafés, corners or quiet spots to recharge?

I love grabbing a coffee and brekkie at Industry Beans and the Black Cat, there’s always great coffee and a vibrant atmosphere there. I also enjoy wandering through the quiet corners of the Fitzroy Gardens, where I can recharge and find inspiration amidst nature.

What’s next for you creatively? Are there any new projects or ideas you’re excited to explore?

Next, I’ll continue my work on the series On the Spot, further developing the theme and exploring the correlation of people in kaleidoscopic circles of action, a concept I presented earlier this year at the Outré Gallery in Fitzroy. 

I’m excited to dive deeper into how these dynamic interactions shape our experiences and perceptions of the world around us.

Fragments of Urban Essence will be on show at Brunswick Street Gallery from 8 to 25 May, with opening night celebrations on Thursday, 9 May from 6 to 8 PM.

The exhibition by Zory McGrath will run alongside work by a diverse range of artists including Bale (Home) by John Gatip, Kicks/Devotion/Scars by Marcie O’Neill, Material Disruption / Self-Healing Behaviours in Robotic 3D Printing by Mary Spyropoulos & Dr Joshua Lye, Oh, What a Chaotic, Chaotic Old World by Ned Johnson, and Notions of Tussie-Mussie Dr Susan Quinn.

All images are published with the artist’s kind permission.

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